Functioning Normally

Thinking perversely
Smiling diabolically
Plotting continually
Laughing uncontrollably

Invalidated immediately
Shut down completely
Rejected entirely
Vanquished decisively

Ignored automatically
Blocked indefinitely
Protected systematically
Deleted permanently

Scheming covertly
Lying repeatedly
Acting compulsively
Bombing miserably

Cleansing thoroughly
Forgotten instantly
Measuring carefully
Calculating constantly

Avoiding meticulously
Rinsing thoroughly
Denying categorically
Functioning normally

Dennis Earl
Hamilton, Ontario, Canada
Sunday, July 2, 2023
2:43 a.m.

Published in: on July 2, 2023 at 2:43 am  Comments (1)  

Remembering 2022, My Seventeenth Year Of Blogging

“Life is temporary,” the man said.

He had just walked past me with his elderly mother slowly trailing behind with her walker on wheels. She was dismissing the idea of undergoing some kind of procedure for whatever was ailing her. Any possible benefits would be “temporary”, she had asserted.

Her son gave her a simple, sobering reminder of the cost of not doing anything. She was silent. He had made his point. I wonder if she changed her mind.

I was waiting for my father as they gradually made their way to the exit. He was having his fifth IV bottle removed, a bi-weekly routine he’s grown accustomed to for the past two months.

Back in April, after his first colonoscopy, we learned he has cancer, stage 3, the highest of the curable ones. A second procedure and an MRI confirmed it. His surgery was scheduled for June but not long after he arrived that morning he was informed it had to be postponed. Not enough nurses on duty. So they sent him home in a cab.

He finally had it in July. No colostomy bag. A huge relief after everything he’s been through. Four days later, we picked him up and took him home. A couple of months after that, a phone call. A biopsy revealed hidden cancer cells. Radiation was out of the question. Chemotherapy would be the next step on the road to recovery. 12 two-hour sessions every fortnight plus a bottle attached to a picc-line placed in his arm. It takes about 2 days for the bottle to fully empty before it can be safely removed.

That’s why I’m waiting for him here at this local medical facility. I’ll be back here again with him in two weeks. And I’ll keep coming here every fortnight until March.

All of this happening after that septic kidney stone just before the start of 2020, the simultaneous discovery of his Type-2 Diabetes, a horrendous case of the shingles brought out by all the stress of being in the hospital and the belated diagnosis last year of two cataracts that were finally removed a couple of months before his cancer surgery. (His previous optometrist said his eyes were fine. Good thing that clown retired.)

His very nice doctor, who resembles a bearded brown Ralph Macchio, gave it to him straight. If you don’t do this, there’s a 70% chance your cancer will return. But if you do, it’s only 30%. My dad got the message loud and clear, and he’s been a trouper.

Things were going well with the chemo treatments until round six. About 20 minutes into the session, a nurse noticed Dad’s face had turned beet red. Turns out he’s allergic to one of the drugs. Through medication sent through his picc-line the redness eventually disappeared. But from this point forward, he’ll have four-hour chemo sessions.

The hardest part isn’t the excellent medical care he’s been receiving off and on these past three years. It’s the waiting. The waiting for cabs to pick us up which aren’t always on time. (None of us drive.) The waiting in the hospital for Dad’s name to be called so he can be hooked up for treatment. (We’ve waited as long as two hours before the start of a single chemo session.) The waiting for the ride home. The waiting for the call about the blood work on the days we don’t see his doctor who also takes his time before seeing us. The waiting to be informed of the next scheduled trips to the hospital when we don’t receive a printed schedule.

Normally, my Mom would be the one accompanying him to all these appointments. She would be the one asking the questions Dad would forget to ask himself. But she has cancer, too.

It started just before Christmas 2020. She couldn’t keep her supper down one night and ended up laying down for most of the rest of the year. She seemed to be better in January, but as the winter slowly transitioned into the spring she felt worse. Her food intake dwindled considerably. We begged her to call the doctor which she finally did in April. They told her to go get her blood tested. There was something seriously wrong and she knew it the entire time which she kept to herself.

Stage 3. There was an enormous tumour on her bowel, so big that when she had her colonoscopy the camera couldn’t maneuver around it. It had to be removed immediately. She weighed 79 pounds.

In late May, she had her surgery. Her heart stopped at one point but the surgeon and her team were able to get it beating again. None of us were informed of this until months later when she was safely back home. Our family doctor referring to it euphemistically as “a heart incident”. For 11 torturous days Mom was in the hospital unable to keep anything down. Bags of nutrition IV’d through her arm to keep her going. When she returned, she was so frail whenever she needed to go to the bathroom or just simply walk around, someone had to hold her tiny wrists and guide her to her destination.

For 18 straight days, a nurse would come down and administer a needle into her stomach to prevent blood clots while also changing her bandages. Her recovery took months.

She eventually regained all her weight thanks to going off her gluten-free diet. She could eat normal meals again. She could walk on her own again. But traveling outside the house was restricted to short trips that thoroughly exhausted her.

Sometime in January this year, she had a terrible night. Woke up in excruciating pain and vomited. Several days later, the bad news from her oncologist landed like a knife in the throat. The cancer had returned and there was nothing to be done. He couldn’t even look her in the eye.

I’ll never forget shoveling the snow that early February afternoon hoping finally for some good news about her health. The cab arrived. Mom climbed out. The news wasn’t good at all. Stage 4. No less then three months, no more than a year.

We’ve all since made our peace with it, even cracking jokes from time to time. For most of the year, thanks to a succession of visitors, numerous phone calls, emails, greeting cards and flowers, Mom was able to keep going, her sunken spirits always lifted by the cacophony of laughter and warm memories.

But in recent weeks, her condition has worsened. She’s still eating but the meals are much smaller now. She has next to no energy although she can still walk around and make phone calls when needed. And she’s much sleepier than before. Her pain meds can only do so much.

All this attention on my parents made writing particularly challenging this year. It’s hard to find joy in your work when your loved ones are suffering so badly. And there’s so many more important things to take care of which naturally eats into your spare time.

Before the bad news about my mom, as usual, I was watching movies and writing the occasional review. Really bad movies like A Guy Thing which I actually screened right at the end of 2021. After suffering through two Ernest sequels for the second time, I went through a succession of horror flops like Freaky, Behind The Mask: The Rise Of Leslie Vernon and The Puppet Masters.

After coming to terms with mom’s diagnosis, I carried on with more horror disappointments like The Hitcher remake, the sci-fi doozy Meteor, The Condemned with Stone Cold Steve Austin, Halloween Kills, The Descent, From Dusk Till Dawn, the overrated anthology Nightmare Cinema, Deepstar Six, the fifth installment of Scream, Umma, and Spiral: From The Book Of Saw.

I also subjected myself to laughless comedies like Gulliver’s Travels, My Giant, Jackass Forever and the deeply offensive Date Movie. Revisiting Pacific Heights for the first time in over 30 years resulted in less affection for it. The closest I came to recommending anything in this space this year was The Price Of Fame, the sometimes revealing but mostly self-serving Ted DiBiase documentary that already feels dated in light of The Million Dollar Man’s now exposed fraud during the Covid crisis.

In the end, I only liked one movie this year: The T.A.M.I. Show, a highly enjoyable concert film from 1964, that I probably should’ve written about to prove that I didn’t hate everything I watched this year. But I couldn’t figure out how to do it. This year, it was much easier to slam than to praise.

And that was also true of my poetry. What can I say? There was a lot to rage about. From the dumb asshole who overpaid for Twitter (Global Punching Bag) to a certain fascist pundit crying buyer’s remorse about Donald Trump (Stick Figure Nazi) to the utter uselessness of Joe Biden’s Weimercrats (Voting For Democrats) who let the Supreme Court outlaw abortion (You Fucked This Up) to the growing global loathing of capitalism in the age of Covid (Avalanche Of Despair).

In April, an impromptu Google search led to a curious discovery: a video of one of my poems, Kill The Obsession, being recited. I went back and forth about whether I should watch it, dreading any emotional fallout. The fact that it was posted by a supposed critic made it all the more confusing. In the end, I watched it in silence with the captions on, relieved that it was just a straightforward reading. Closet Fan documents my mixed feelings about the whole thing. The video has since been deleted.

As Halloween was approaching, I wanted to write my favourite type of poem: the twisty short story. I had this title, Death Awaits You, which I turned into the tale of a doomed, desperate man outfoxed by one of the women in his life even after he murders her in cold blood. It’s always a challenge to do something different with a well established genre like this but I’m pretty happy with the results. I’ve often said I’m going to write proper fiction in this space. Maybe it’s finally time to go for it.

The ironic thing about expressing your anger is that it doesn’t completely disappear after a single poem. Sure, you may feel a brief sense of relief usually lasting a few weeks or even a couple of months but it will eventually return and it will need to be expunged yet again.

So you write rhyming, often sarcastic diatribes like The Creator Of Misery, Hostile Reception, Burned Beyond Recognition, Permanent Eviction, The Outskirts Of Rage and The End Of Denial.  And when the temperature rises once again, you write more like Fuck Off Forever, I Don’t Trust You, Waves Of Silence and The Final Page.  Just to be different, you write one that doesn’t rhyme (Good-bye Vortex) before reverting back to form (The King Of Projection, No Salvation).

It’s amazing to me how you can let go of your hurt for many years only to see it resurface unexpectedly out of nowhere. It’s not a welcome development at all. You don’t want to deal with this. It’s disruptive and distracting. The goal, after all, is total avoidance.

So you start writing and you delve deep into this neglected history and you learn things, unpleasant things. And then you come to accept that you were right, that your instincts remain sharp, that nothing will ever change except for your improved ability to cope.

Thinking back to the time I was forced into an uncomfortable situation as a young child inspired a more positive series of rhymes. The Memories Of Pleasure starts there and then focuses on how a significant, albeit short-term relationship allowed me to move on and more importantly became the impetus to start this website.

My favourite poem of the year, however, is an unbelievably true story. In February 2019, Valentine’s Day to be exact, a young girl went missing. For many years now, whenever a terrible thing like this happens, an Amber Alert is sent out with the fervent hope of a safe recovery. On this particular occasion, it was sent late at night when most people are asleep.

Most people were ok with this but there were about 100 or so who were not. One such grumbler decided to vent their frustration with being woken up unexpectedly by rage tweeting. The blowback was immediate and fierce. The grumbler got into pointless arguments with aggravated users who were deeply offended. And then the mocking began.

Someone made fun of the grumbler’s looks while others continually pointed out how unbelievably callous and heartless it was to be more outraged about losing a night’s rest over the fate of a missing child. This went on for a week.

The sad news is the girl was murdered. The even sadder news? The killer was her own father (not a stranger like I erroneously and lazily asserted which I’ve now corrected) and he never went to prison because he ultimately committed suicide. (After shooting himself, he was arrested and died while in hospital.) The grumbler complained that the system failed her, that she wasn’t found alive. Thanks to an eagle-eyed citizen who received the alert, her body was recovered in an hour. Considering the tragic set of circumstances at play here, the kid had absolutely no chance of survival. It’s likely that by the time the notification was even sent out, she was probably already dead. The only good thing is that her family were able to find out immediately what happened and were able to properly grieve their loss. The Amber Alert is the only reason they could do that.

None of this mattered to the grumbler. In the end, it all became too much to take. After being relentlessly owned, they completely disappeared from Twitter. It’s not clear if they were suspended or just deactivated their account. Either way, they’re gone for good.

Beauty Sleep joins in the mockery nearly three years later. Fun fact: the grumbler once posted a tweet with a racial slur by accident but instead of instantly deleting it they doubled down with a follow-up blaming their phone for the error. Amber Alert cranks like this are not missed at all. As this MacLean’s magazine columnist aptly put it, “You are horrible people.”

There were two new entries in The History Of The Mystery Track series this year. To commemorate the 20th anniversary of his death, I wrote about the tragic end of Layne Staley, the great but deeply troubled frontman for Alice In Chains.

The night after his deteriorating body was discovered by his own mother, Pearl Jam’s Eddie Vedder quickly worked up a musical tribute. An outtake from the Riot Act sessions, 04/20/02 would end up unlisted on the rarities collection Lost Dogs.

While Eddie Vedder Angrily Mourns Layne Staley was completed over several weeks, R.E.M. Covers The Clique sat in my draft folder for more than a year before I was finally able to ready it for posting. The plan was to write about it along with two other popular mystery tracks in a single piece, but thankfully it proved too meaty to get shoveled into a compendium.

I tried reaching out to retired journalist Chuck Fieldman on Twitter when I was initially uncertain about how to portray his role in the story but I never heard back. It turns out I had plenty to go on from research that sat unused for roughly 25 years. I’ve been working on other installments but my parents’ health is a priority right now so who knows when I’ll have the time to finish any more stories.

Everything is so uncertain right now. My life feels like it’s on hold for the foreseeable future, a pattern I’ve grown accustomed to. I will do my best to post in this space whenever imagination and inspiration resume their ongoing partnership. But joy isn’t on the horizon. Dark times lie ahead for my family. Significant change is coming. Am I prepared for it? I don’t know.

What I do know is I don’t want to give up my writing. This website has done a lot for me. It rekindled lost friendships. It allowed me to make peace with the past. It got me a two-year gig with The Huffington Post. I’ve had the freedom to rant, to lust, to laugh, to treasure, to reflect, to mourn. I won’t take this platform for granted.

Unlike Twitter which can suspend you under questionable circumstances, WordPress is thankfully hands off. I can say anything here. I can’t say that about any social media site.

This past year, more than any in recent memory, I’ve seen too much vulnerability. The ravages of disease, the consequences of war, the punishing of the innocent, the lack of punishment for the guilty, the breaking down of the institutional west, the rise of fascism. It has been a nightmare for all of us. When will it end?

“Life is temporary,” the man said. It’s important to be reminded of that. It keeps things in perspective.

A big thank you to the readers who took the time to like some of my writing (including the hundreds of you who shared links on Facebook and Twitter (almost 700 times which is more than double last year’s total bringing the overall number to just over 2400)). And to those who either leave comments here or send email or need some burning questions answered. It’s always appreciated.

Happy New Year, everyone.

Dennis Earl
Hamilton, Ontario, Canada
Sunday, January 1, 2023
12:19 a.m.

Published in: on January 1, 2023 at 12:20 am  Comments (1)  

No Salvation

What part of NO don’t you understand?
Why is this such an impossible demand?
I won’t take a look
I won’t take a peek
I won’t be the salvation you desperately seek

Why continue to be such a pest?
Are you ever gonna give this bullshit a rest?
I don’t care if you’re sorry
I don’t care if you’re not
How many more lessons do you need to be taught?

Why can’t you ever make up your mind?
Withdraw and leave all your stupidity behind
Nothing will change
The walls will remain
When did you stop using your brain?

I was happier to no longer be distracted
And not have my peace of mind impacted
This statue won’t budge
It’s firmly implanted
I’ve carried on as you silently ranted

I’ve noticed you’re still deleting your trail
Disappearing your latest fail
A perpetual mystery
Lurking all about
Waiting for the next mistimed moment to shout

You know you’re running out of melodies to play
Will you ever just call it a day?
It doesn’t get better
Things won’t improve
Time for Stella to find a new groove

Dennis Earl
Hamilton, Ontario, Canada
Thursday, October 13, 2022
2:07 a.m.

Published in: on October 13, 2022 at 2:07 am  Comments (1)  

The Creator Of Misery

The creator of misery
The architect of pain
The flinger of shit
Obviously insane

Bathing in the blood
Of victims past
Made for the part
Perfectly cast

Omnipresent
In the minds of the weak
Torturing their senses
Making them shriek

Shaking their confidence
Haunting their dreams
Blinding their focus
Collecting their screams

The destroyer of joy
The deliverer of dread
The prince of pestilence
The walking dead

Tentacles spreading
Influence growing
Critics whining
Desperation showing

Growing immunity
Impenetrable shields
Spreading panic
With the power he wields

Dennis Earl
Hamilton, Ontario, Canada
Wednesday, August 24, 2022
3:36 a.m.

Published in: on August 24, 2022 at 3:36 am  Comments (1)  

The Descent (2006)

Poor Juno.  Screwing around with one of her best friend’s husbands, accidentally attacking the only other person who knows, putting the rest of her circle of pals in unnecessary danger.  She’s having one fucked up year.

One wonders if The Descent, the title itself, despite everything that happens, mostly applies to her.

Unbeknownst to Sarah, Juno is having an affair with Paul, her spouse.  There are no scenes of them canoodling, no real backstory either, just a knowing look during a white water rafting trip picked up on by one of their mutual friends.

Literally moments later, Sarah’s life is completely shattered.  As she tries to understand why a quiet Paul is suddenly so distant with her in their moving car, she loses him and her young daughter in an instant.  Not paying attention to the road for just one second proves very costly. It is not surprising.

Waking up in the hospital confused, Sarah learns the shocking truth and is devastated.  And then there’s guilt-ridden Juno looking on, perhaps mourning Paul a lot more intensely than her friend who is clearly more upset about little Jessica getting a copper pipe thrust through her noggin which is thankfully only implied.

A year later, Sarah makes a request of Juno.  Both devoted adventure seekers, they agree to go down and explore a cave in the Appalachians with four of their mutual girlfriends.

Now, five of the women think they’re headed to a place called Boreham, a popular tourist attraction that might not prove so challenging or exciting.  But in reality, where they’re really going, is literally unnamed territory.  As they’re about to find out, there’s an excellent reason for this. No one gets out alive.

But it takes a long time before the danger actually starts to emerge, one of the many problems with The Descent, a slow burning horror film that never really reaches full boil.

Sarah is completely oblivious about Juno’s deception and it doesn’t really become a plot point until the very end when a decision is made that one could argue is so cold, it makes one particular character look especially depraved and heartless.

Then again, what would you do if you belatedly discovered you had misplaced your faith?  That you trusted the wrong friend?  And because of that you’ve just finished experiencing even more trauma on a much bigger scale?

That said, Juno herself makes a snap decision based partly on guilt but mostly on self-preservation that makes it very difficult to sympathize with her dilemma, especially since her initial impulsive act is very clearly unintentional. The movie never really makes her out to be a true heel, but her walking out on a close friend at her most vulnerable is not what heroes do.

Continually haunted by the memory of the accident, Sarah keeps having nightmares.  The same image keeps coming up, that of her daughter eventually blowing out the candles of her own birthday cake for a party she didn’t live long enough to attend.

This new adventure in America (Sarah is Scottish) is supposed to alleviate such enduring pain.  Instead, because of Juno’s enormous blunder, it’s compounded by more sadness and even more loss.

Once down in this mysterious cave, these six women band together and spend considerable amounts of time crawling in tight spaces, walking around these seemingly secluded areas, and dangling from precariously placed ropes.  Too much time, in fact.  Regardless of what’s waiting for them far down below, this is more tedious than exhilarating. I’m glad I’m not a cave dweller.

As they continually explore this endlessly labyrinthian underground, Sarah starts noticing what appears to be a naked man popping around.  When she gets a closer, confirming look the second time, Juno gaslights her, but the worry on her deceptive friend’s face suggests she’s trying to convince herself there’s nothing there.

Of course, the naked man is not a naked man, it’s a Crawler, a Nosferatu-like cannibal with a whole lot of compadres just waiting for fresh flesh to sink their vampiric teeth into.  The ladies have a slight advantage, though.  Like the much scarier, spider-like creatures in A Quiet Place, these Crawlers are completely blind.  One character correctly speculates they may use their heightened sense of hearing like a bat employs sonar.

And they have monstrous appetites.  There are lots of scenes of our victims walking through and surrounded by waves of skeletal remains, especially the human kind.  Juno’s misguided ambition is how they end up jobber meat for some very generic looking creatures.  The more you get a closer look, the less scared you are.

Even the way they sound evokes memories of better horror films, like that recycled snake-like rattle from Predator, for instance. When one pounces on Sarah, he actually sounds like a meowing cat.

And the film is awfully dependent on mostly predictable jump scares, a tired gimmick often employed by hacks unable to create a real suspenseful atmosphere in more original ways.  The Shining, this isn’t.

Admittedly, the movie does pick up a little bit in its last third when the Crawlers stop hiding and need to feed but it’s far too late to make much of a difference.  And when they do show up, because we’re deep in the bowels of a cave, and the film has an over-reliance on needlessly frenetic editing, it is often very hard to see everything that’s going on. Ultimately, it’s impossible to be fully invested in something so generic and obvious.

Speaking of that, how about that ending? I mean, like the car accident, you can see it a mile away. Curiously, it was only seen in UK theatres, not here in North America. Too depressing, they said. If I cared, maybe. But by cutting it in half, it leaves out a very important detail. It suggests a haunting and nothing more, which doesn’t make sense because that character has no remorse.

The full European version is essentially a rip of John Carpenter’s underappreciated remake of The Thing. One character seemingly coming to terms with her delusion while also knowing full well the odds of escaping are practically null. Locked in a trance and completely ignoring the growing shrieks, she is now finally, and ironically, at peace.

But then, they made a sequel that reportedly rewrites history. Based on the Wikipedia plot summary I read, let’s just say I’m glad I don’t critique anything that goes straight to video.

Dennis Earl
Hamilton, Ontario, Canada
Sunday, May 8, 2022
2:27 a.m.

Published in: on May 8, 2022 at 2:27 am  Comments (1)  

Dune & Coda Big Winners At 94th Annual Oscars

Eli Glasner, you magnificent bastard. You called it right.

CODA took home the top prize at the 94th annual Academy Awards. The film, featuring a mostly deaf cast, defeated The Power Of The Dog for Best Picture. Turns out it really did have a shot in hell at winning.

One of the stars of CODA, Troy Kotsur, as expected, took home the gong for Best Supporting Actor. Accepting the honour through sign language and an interpreter, he was both gracious and charming, revealing a love of dirty jokes, something this show could’ve used. He dedicated his historic win, as the first hearing impaired male to win an Oscar, to the deaf community and also paid loving tribute to his father, who he declared the “best signer”. Tragically, after being paralyzed because of a terrible car accident, his dad could no longer communicate to him this way. “This is our moment,” Kotsur proclaimed with genuine delight.

CODA also won Best Adapted Screenplay.

As for The Power Of The Dog, the most nominated film of the evening with twelve nominations, it ultimately only took home one gong. Jane Campion, the DGA winner, was named Best Director. She wisely avoided mentioning Venus & Serena.

The biggest winner of the evening was Dune which managed to snag six technical trinkets, three of which were presented on tape delay. The remake was honoured for its sound, visual effects, cinematography, original score, production design and for its editing.

Jessica Chastain was named Best Actress for her sympathetic portrayal of the gay-friendly but otherwise shady evangelist Tammy Faye Baker. Graciously declaring her love for her fellow nominees, she told those in the LGBTQ community that they’re not alone and they’re unconditionally loved. Unlike the sometimes grating Amy Schumer who only seemed concerned about a certain vulnerable population in a country not named Palestine or Yemen, Chastain went the safe route by supporting “innocent civilians around the world”. The Eyes Of Tammy Faye also won for its make-up and hairstyling, one of eight awards pre-taped and inserted into the live broadcast, a bad idea that should be discontinued. Fuck you, ABC.

Before he won Best Actor for playing the father of two tennis greats in King Richard, Will Smith appeared to have started a potential WrestleMania program with Chris Rock. The SNL alumnus got roasty with Smith’s wife Jada Pinkett, making a very funny albeit deeply controversial reference to a certain Demi Moore film. While Jada was seen rolling her eyes, her husband, at first seen smiling and laughing on-camera, ultimately walked on stage and delivered a fiery right hand to the comedian.

Sadly, those watching in Canada did not hear anything that was said afterward. Thankfully, we have Twitter. Rock noted that Smith “just slapped the shit out of me.” Then Smith can be clearly heard ominously warning him, “Keep my wife’s name out of your fucking mouth,” which inspired some audible oooing from the now uncomfortable audience. What a mistake to not let this air uncensored. Leave it to ABC to foolishly simmer down a genuinely electric moment of live TV. Rock sarcastically declared the incident the greatest moment in the history of Television.

During his overlong and rather arrogant teary-eyed acceptance speech, the former Fresh Prince apologized to the academy but not Rock. Sounding very thin-skinned and phony with all his tough-guy talk about being a protector, it was so obviously about the award and nothing else. Vessel of love, my ass.

Ariana DeBose, who dazzled in a red dress, was named Best Supporting Actress, the only prize for Steven Spielberg’s updated West Side Story. Setting the tone for a number of promos, the openly gay star emphasized acceptance for her community. “There is a place for us,” she declared. In a very nice moment, she singled out “divine inspiration” Rita Moreno seen beaming from the audience. Moreno won the Oscar for the same role in the original 60 years earlier.

The critically acclaimed Japanese film Drive My Car won Best International Feature while the concert doc Summer Of Soul, about a forgotten 1969 festival involving top Black talent, was named Best Documentary. Roots drummer Questlove was very moved to the point of temporary speechlessness with his teary-eyed mom watching in equal appreciation.

While Don’t Look Up, Licorice Pizza and Nightmare Alley all struck out, Kenneth Branagh managed to finally win his first Oscar for writing the original script for Belfast, its only win.

Predictably, Encanto was declared Best Animated Feature but in a bit of an upset lost the Best Original Song trophy to the title track from the recent James Bond film No Time To Die. (Scroll down to the bottom for the complete list of winners.)

As for the show itself, it didn’t need three hosts, especially with so much hit and miss material on display, a frequent problem with this deeply insecure award show. Amy Schumer got in three particularly good zingers during her solo monologue following the trio’s more spotty, instantly forgettable opening set. You can’t go wrong goofing on Leo DiCaprio’s love for young broads. “Don’t Look Up reviews” was a sly reference to the apocalyptic satire’s mixed criticial assessments and mistaking the Gyllenhaals for lovers was a cheeky throwback of sorts to SNL’s old bit about the french kissing Osmond siblings.

Wanda Sykes had a couple of good quips during a tour of the new Academy Motion Picture Museum, although upon reflection it seems a little late to go after Harvey Weinstein now that he can’t retaliate against you. It’s hardly brave now. You can say Chris Rock took a cheap shot at Jada (it’s not her fault she’s lost a lot of hair) but by God, it landed and resulted in explosive TV, if you were watching in Australia and Japan, that is. (I also appreciated that he said, “And the winner is…” and noted the shocking lack of masks compared to last year. COVID cases are rising in Los Angeles.) The more political gags and gestures fell flat for all the obvious reasons. It’s fine to support Ukrainian civilians but how about some love for #BDS? And Muslims continually harmed by American foreign policy?

As for the annoying Regina Hall, if a man did that same COVID bit but with women, there’d be feminist thinkpieces for days and weeks on end about the inappropriateness of such antics on Television. Personally, I just thought it was lame and, like a lot of unneeded moments on the show, ate up way too much precious screen time. Just do the award presentations and cut out all the bullshit.

The Top 5 fan lists were a pointless exercise in desperate pandering to young folks who don’t even watch award shows and honestly they didn’t make a lot of sense. Why in the hell is a mostly unseen Johnny Depp flick getting a showcase?

The In Memoriam segment was a bigger disaster. To have a joyous choir singing away a little too happily about meeting dead people in heaven on camera while you couldn’t always read the job descriptions of the deceased workers from the business because the shot was too far away was disrespectful, especially to those with eyesight issues. When Betty White’s name came up, I was dreading a full sing-through of the Golden Girls theme but thankfully, they kept it to an instrumental.

In a world filled with so much dread, how nice was it to see so much delightful cleavage? Titties are back. May they never go away.

Where was Van Morrison? Stop bringing old stars on stage if they’re not well enough to read a prompter.

And for God sakes, someone tell Kevin Costner to speed the fuck up with that presentation already.

Oh, did Sean Penn destroy his Oscars yet?

The complete list of winners:

BEST PICTURE – CODA

BEST DIRECTOR – Jane Campion (THE POWER OF THE DOG)

BEST ACTOR – Will Smith (KING RICHARD)

BEST ACTRESS – Jessica Chastain (THE EYES OF TAMMY FAYE)

BEST SUPPORTING ACTRESS – Ariana DeBose (WEST SIDE STORY)

BEST SUPPORTING ACTOR – Troy Kotsur (CODA)

BEST ORIGINAL SCREENPLAY – BELFAST

BEST ADAPTED SCREENPLAY – CODA

BEST INTERNATIONAL FEATURE – DRIVE MY CAR

BEST DOCUMENTARY FEATURE – SUMMER OF SOUL

BEST ANIMATED FEATURE – ENCANTO

BEST ORIGINAL SONG – No Time To Die (NO TIME TO DIE)

BEST SOUND – DUNE

BEST COSTUME DESIGN – CRUELLA

BEST CINEMATOGRAPHY – DUNE

BEST FILM EDITING – DUNE

BEST ORIGINAL SCORE – DUNE

BEST PRODUCTION DESIGN – DUNE

BEST VISUAL EFFECTS – DUNE

BEST MAKE-UP & HAIRSTYLING – THE EYES OF TAMMY FAYE

BEST ANIMATED SHORT – THE WINDSHIELD WIPER

BEST LIVE ACTION SHORT – THE LONG GOOD-BYE

BEST DOCUMENTARY SHORT SUBJECT – THE QUEEN OF BASKETBALL

Dennis Earl
Hamilton, Ontario, Canada
Monday, March 28, 2022
2:17 a.m.

Published in: on March 28, 2022 at 2:19 am  Leave a Comment  

Curious Quotes From Omarosa’s Donald Trump Memoir, Unhinged, Plus A Revealing Omarosa Story From Cliff Sims’ Night Of Vipers (Part Three)

25. “…[Anthony] Scaramucci talked to Ryan Lizza from The New Yorker, who recorded the interview.  It was all about leaks…Anthony boasted about heads rolling.  He called Reince a ‘fucking paranoid schizophrenic,’ and made some anatomically descriptive comments about Steve Bannon, a man who, to my knowledge, does not do yoga and is not nearly as flexible as Anthony made him out to be.  When I first heard the vulgar conversation, I thought the language was not becoming of someone who was going to be taking the same oath that I had taken in front of the nation.”

(pg. 273)

26. “As the meeting broke up, a CBC [Congressional Black Caucus] staffer told me they wanted to hold a press gaggle outside the West Wing to discuss what happened in the [March 2017] meeting [with President Trump].  This was a routine request, one we’d allowed for other groups, and we agreed to help facilitate it…Everyone was in good spirits, and they seemed hopeful that this was the beginning of a positive working relationship with the President and his staff.

[snip]

“One of the young White House press aides poked her head in and told me the press was ready for them outside.

‘All right, are you guys ready to go out?’ I asked.  A few other White House staffers were standing alongside me, including Omarosa.

‘Actually, would it be possible for us to have a few moments in private before we go out?’ one of the CBC members asked.

That seemed fine to me…But before I could respond, Omarosa–who had been mostly silent during the meeting while Trump was still present–spoke up.  I had always heard she was like a hand grenade without a pin–able to blow up at any moment–and now the Omarosa I’d long feared had rolled into the room.  You could see the transformation in seconds–her composed, almost regal bearing gave way to a narrowed glare and a menacing scowl.

‘Privacy?!’ she exclaimed.  ‘You think you can come up in our house and demand fucking privacy?  Hell, no!  You must be outta your damn mind.’

[snip]

“…one of the female CBC members shot back, ‘See, this is why we can’t deal with you.’

‘Whoa, whoa, whoa,’ I interjected as calmly as I could.  I turned to my colleague and tried to soothe her.  ‘O, it’s all right, no biggie.  Let’s just give them a second to get on the same page before they go out.’

“I just don’t think they should be coming in here making demands,’ she said, flipping her hair back over her right shoulder.  ‘The President of the United States met with them in his house and they’re still making demands!’

I hurriedly corralled the CBC members and their press staffer into a small foyer and walked back into the lobby, closing the double doors behind me.

Omarosa was still fuming.

‘We’re the ones in fucking power now…They’ve gotta learn to deal with it.’

[snip]

‘Eh, it’s all right,’ I said, laughing, trying to lighten the mood.  ‘I think you’ve scared them enough for one day.’  She had scared me, too.”

(from Cliff Sims’ Team Of Vipers, Chapter Ten, Better Angels, pgs. 181-182)

27. “The idea of limiting Trump’s exposure to people might have seemed wise at first.  But what it actually did was cut him off from trusted friends who kept him grounded and somewhat sane.  [Then-Chief Of Staff John] Kelly’s move to isolate Trump drove him crazy; he watched even more cable news and relied on phone calls and social media–even more than before–to satisfy his deep need for positive feedback, in-person affirmation of this greatness, and an ear to vent to.”

(from Omaraosa’s Unhinged, Chapter Thirteen, The Unravelling, pg. 277)

28. “The [Charlottesville] protest had been raging for two days already without a comment from the president. [Tom] Bossert told me that, after [James Alex] Fields drove into the protestors [including Heather Heyer who died], he had gone into the room where Donald was resting at Bedminster after a round of golf and said, ‘Sir, you have got to wake up.  This has escalated, and we have to deal with it.’

While the entire nation was glued to their TVs, outraged and terrified by what they were seeing, desperate for the strong hand of leadership, the president was napping.”

(pg. 283)

29. “…Secretary of the Treasury Steve Mnuchin refused to commit to the Obama-era initiative to put abolitionist Harriet Tubman on the twenty-dollar bill, replacing Andrew Jackson…I quickly wrote a decision memo about the matter and gave it to Trump.  While flipping through the folder, he came to the picture of Tubman, the woman who personally brought more than three hundred slaves to freedom, risking her own life every time, and said to me, ‘You want to put that face on the twenty-dollar bill?'”

(pg. 295)

30. “[Hurricane] Harvey hit Texas and Louisiana in the final days of August and did major damage.  President Trump visited Texas twice in one week…Within thirty days, more than $1.5 billion in federal disaster relief was paid to Texans…Trump deployed more than thirty-one thousand federal and FEMA staff.  FEMA delivered three million meals and three million liters of water, in addition to providing temporary shelter to more than thirty thousand people displaced…”

Irma…batter[ed] Florida, Alabama, Georgia, South Carolina, and North Carolina on September 10.  Trump visited Florida four days later.  FEMA and federal staff…delivered 7.2 million meals, forty-one generators, and 5.5 million liters of water within days.

[snip]

And then there was Maria.  It hit Puerto Rico on September 20.  Trump did not visit the US territory until October 3, two weeks later.  It took FEMA a week to deliver meals [which] contained chocolate bars, cookies, and potato chips.  They hired independent contractors to provide thirty million meals ready to eat (MRE), but after nearly a month, only fifty thousand were delivered.

[snip]

Puerto Rico will be among the worst stains on Donald Trump’s presidency.  And God bless Tom Bossert, who tried to get the resources, tried to fight.  He and I were fighting arm in arm, hand in hand, to try to advocate for Puerto Rico to get what they needed, and John Kelly shut it down.

In the National Security meeting, he said, ‘Their infrastructure was already screwed up,’ and suggested the bankrupt government was trying to exploit the hurricane to force the United States to foot the bill to rebuild their electrical grid.  Kelly, like Trump, referred to Puerto Ricans with derogatory terms many times.”

(from Chapter Fourteen – The Fall, pgs. 296-299)

31. “In a comms meetings [sic] to nail down the messaging for the [HBCU (historically Black colleges & universities) White House] conference, I had to deal with Kelly Sadler.  She said, ‘Are you sure about doing this?  You’re bringing some very angry people into the White House.  After Charlottesville, they might riot.  They might burn the place down.’

Sadler was famous for her inappropriate commentary in comms meetings.  When Trump tweeted about the transgender ban in the military, she agreed on principle and said in a comms meeting that I attended, ‘Why should we pay for soldiers to get their dicks cut off?'”

(pg. 302)

32. “…whenever Donald and Melania weren’t on speaking terms–which was very often–he would call Ivana and ask her for advice.  What could upset the current wife more than the husband calling up the first wife for advice?”

(pg. 307)

33. “The world has yet to learn about the extent of Donald Trump’s Diet Coke habit.  He always had one in his hand, as far back as I’ve known him.  He’s up to eight cans a day, at least.  Eight cans a day, for the last fifteen years, is 43,800 cans of Diet Coke, poured into his system.

[snip]

When I started to have grave concerns for his mental health, I connected the dots to his physical health and poor choices, specifically, his soda habit.

I researched it, and found a brand-new study by a team of neurologists from Boston University that linked Diet Coke consumption with dementia and increased risk of stroke.”

(pg. 312)

34. “(Incidentally, Hope [Hicks] was not the only female assistant to the president to have White House flings.  Another highly visible assistant to the president might still be carrying on her affair right now.)”

(pg. 317)

Dennis Earl
Hamilton, Ontario, Canada
Thursday, September 5, 2019
12:34 a.m.

Published in: on September 5, 2019 at 12:34 am  Comments (1)