The nominations for the 84th annual Academy Awards were announced this morning and, as always, only one question really needs to be asked: how many of the nominated movies are available on DVD?
Right now, you can see Moneyball, The Help, Midnight In Paris, The Tree Of Life, Bridesmaids, Rango, Kung Fu Panda 2, Beginners, the 2011 version of Jane Eyre, Harry Potter & The Deathly Hollows Part 2, Rio, The Ides Of March, Transformers: Dark Of The Moon, Rise Of The Planet Of The Apes, Real Steel, Hell And Back Again, A Better Life, If A Tree Falls: A Story Of The Earth Liberation Front, Warrior, and Margin Call by making a trip to a retailer or rental outlet near you.
As for Hugo, A Separation, The Artist, Pina, War Horse, The Adventures Of Tintin, Extremely Loud And Incredibly Close, The Iron Lady, My Week With Marilyn and the remake of The Girl With The Dragon Tattoo, you can currently catch them all in theatres. As of this writing, no DVD release dates have been scheduled for any of these titles.
Also coming soon to a theatre near you: Albert Nobbs (going wide January 27), W.E. (February 3), Undefeated (February 10), In Darkness (February 10), Chico & Rita (February 10 re-release), Footnote (March 9) and Monsieur Lazhar (April). Please note: the last six titles listed are only getting a limited release.
The following films are headed to DVD in the near future: Drive (January 31), Anonymous (February 7), Puss In Boots (February 24), The Descendants (March 13), The Muppets (March 20), Tinker Tailor Soldier Spy (March 20).
The only nominated features not scheduled for release in a North American cinema or on home video are Bullhorn, A Cat In Paris and Paradise Lost 3: Purgatory. (However, that last title can currently be seen on HBO.)
As in past years, if new information becomes available I’ll do my best to update this piece. The 84th annual Academy Awards are handed out Sunday, February 26. Let the prognosticating begin!
Dennis Earl
Hamilton, Ontario, Canada
Tuesday, January 24, 2012
3:31 p.m.
UPDATE: Martin Scorsese’s Hugo will be available in three different DVD editions on February 28. There’s the standard DVD, the 2D Blu-ray combo pack and the 3D Blu-ray combo pack. The Adventures Of Tintin will offer the same options when it comes out on March 13. Also out that day are My Week With Marilyn (Blu-ray combo only) and Canadian Best Foreign Film nominee Monsieur Lazhar (both the Blu-ray version and standard edition). The Iron Lady arrives April 10 and The Artist drops May 8.
Dennis Earl
Hamilton, Ontario, Canada
Thursday, February 9, 2012
2:05 p.m.
UPDATE 2: The release date for The Artist has changed. It will now drop April 24. Meanwhile, David Fincher’s acclaimed remake, The Girl With The Dragon Tattoo, is out March 20 and Extremely Loud & Incredibly Close is due March 27.
Dennis Earl
Hamilton, Ontario, Canada
Sunday, February 19, 2012
1:59 p.m.
UPDATE 3: War Horse arrives on DVD in multiple versions April 3 and Albert Nobbs will be released May 15, according to comingsoon.net.
Dennis Earl
Hamilton, Ontario, Canada
Saturday, February 25, 2012
1:47 p.m.
UPDATE 4: Madonna’s directorial debut, W.E., will be arriving on DVD on May 1. Best Foreign Film nominee In Darkness is out on June 12. Once again, The Artist’s release date has changed. The 2012 Best Picture winner is now scheduled to drop on June 26, the very same day that Pina surfaces.
Dennis Earl
Hamilton, Ontario, Canada
Friday, April 13, 2012
11:38 p.m.
UPDATE 5: Best Foreign Film nominee Footnote is scheduled to be released on DVD on July 24. Chico & Rita, which was nominated for Best Animated Feature, finally drops on September 18. Meanwhile, George over at the Remote Access Blog is wondering when A Separation, the highly acclaimed Iranian picture that won the Best Foreign Film gong, is finally going to be available on DVD in North America. Right now, the only way to see it on home video is if you have a Blu-Ray player that plays Region 2 DVDs (which are released domestically in the UK). As of this writing, there is still no official Region 1 release date scheduled.
Dennis Earl
Hamilton, Ontario, Canada
Tuesday, June 5, 2012
12:48 a.m.
UPDATE 6: Best Documentary Feature nominee Paradise Lost 3: Purgatory drops on August 14th. (The entire trilogy will be repackaged in a box set for release on November 6th.) Meanwhile, A Separation finally arrives in North American video stores on August 21st. George will be happy.
Dennis Earl
Hamilton, Ontario, Canada
Saturday, July 28, 2012
1:37 a.m.
THE WRITINGS OF DENNIS EARL 
2012 Oscar Predictions (Part One)
BEST PICTURE – THE ARTIST
Thanks to changes in the voting system, the Best Picture category only has nine nominees this year, not the ten we’ve all been accustomed to since 2010. Nevertheless, dramas remain the most prevalent genre singled out, as usual.
Right away, you can eliminate the World War I-era War Horse. Director Steven Spielberg isn’t going to get a make-good for Saving Private Ryan’s snub in 1999. (The overrated Shakespeare In Love pulled the big Best Picture upset that year.) Terrence Malick’s The Tree Of Life, which received mostly enthusiastic critical praise back in the spring, is a real long shot, as well.
Many have complained about the inclusion of Extremely Loud & Incredibly Close, the Tom Hanks drama about a son who loses his father on 9/11. Based on the novel by Jonathan Safran Foer, critics were divided in their assessments. It doesn’t stand a chance.
The Descendants may have won a Golden Globe for Best Picture Drama but so did Avatar in 2010 and The Social Network in 2011. Did either of them go on to win the Best Picture Oscar? Nope and nope. (The Hurt Locker and The King’s Speech were the actual victors in those respective years.) George Clooney and company will have to be content with the nomination and their meaningless bowling trophy.
A Woody Allen film hasn’t won Best Picture since Annie Hall in 1978. The well-reviewed and surprisingly popular Midnight In Paris (the most commercially successful feature in the neurotic one’s long career with nearly 60 million in domestic revenue) had a good run back in the summer but the nomination will be its sole reward.
That leaves us with The Artist, The Help, Moneyball and Hugo, the real contenders for the top gong.
Moneyball got tremendous reviews (a 95% fresh rating from Rotten Tomatoes) and made over 100 million in international ticket sales doubling its original budget. (It also boasts a script co-written by Oscar winners Steven Zaillian (Schindler’s List) and Aaron Sorkin (The Social Network).)
Despite receiving a 94% fresh rating from RT, Hugo has been an enormous commercial flop thus far. (Made for almost 200 million, it’s only earned back 86 million worldwide.) On the other hand, The Help had a lower approval rating from critics (only 76% fresh) and earned more than 200 million worldwide.
But as Roger Ebert as pointed out on more than one occasion over the years, academy members vote for the Best Picture of the year with their hearts. On that criteria alone, it’s hard to see Moneyball swooping in and making the steal. Martin Scorsese’s The Departed won this category five years ago (having finally screened it last year, I understand why) and while it would be tempting to give him another BP trophy to make up for all those snubs he had to endure before 2007, I don’t see lightning striking twice.
Made for just 25 million dollars, The Help went on to become an enormous summer blockbuster and despite some controversy, was mostly loved by audiences and reviewers. It has a very good chance of taking the prize.
But I believe the academy will choose The Artist instead. Of all the nominated films, it got the best reviews (a 97% fresh rating on Rotten Tomatoes). Although it’s only playing on roughly 900 screens at the moment, it’s already made 16 million in North America (21 million more overseas), a decent amount for an old-school art film. And it’s the most unique entry on this list: a silent film mostly shot in black and white.
It’s done very well on the awards circuit already and it likely has a stronger nostalgia factor about the early days of cinema going for it than Hugo. For the first time in 83 years and the second time in history, a silent film is going to snag the top Academy Award.
The Artist for Best Picture.
BEST DIRECTOR – Michel Hazanavicius (THE ARTIST)
Last year, I made a colossal fuck-up. I picked David Fincher to win this category for The Social Network. Shortly after making this prediction public, I realized too late that Tom Hooper had won the Directors Guild Of America prize for helming The King’s Speech. Why does this matter? Because roughly 90% of the time you win a DGA gong, you go on to win the Oscar. Sure enough, Hooper beat Fincher at last year’s Academy Awards and I felt like an ass.
I won’t let that happen again. At the 2012 DGA ceremony, Michel Hazanavicius won for making The Artist. That means previous Best Director winners Martin Scorsese and Woody Allen shouldn’t expect their names to be called. That also means two-time nominees Alexander Payne and Terrence Malick will continue their losing streaks.
Michel Hazanavicius for Best Director.
BEST ORIGINAL SONG – Man Or Muppet (THE MUPPETS)
Has there ever been a year where this category was literally a coin flip? On one side, you have the heavily percussive Real In Rio from the animated Rio. On the other, the 70s-style Elton Johnesque ballad Man Or Muppet from The Muppets. While the former has high energy and wouldn’t be out of place in a Carabana festival, it’s hard to imagine the academy not being simultaneously amused and moved by the latter. Ideally, the winner of this category should best represent a key plot point or overall summary of the film it appears in through pure emotion. That’s why Man Or Muppet, written by one of the guys in Flight Of The Conchords, is the preferable choice this year.
BEST ANIMATED FEATURE – RANGO
When the nominations for this category were announced, one immediate question came to mind: where is The Adventures Of Tintin? The other late December offering from Steven Spielberg (War Horse) shockingly didn’t make the cut despite mostly good reviews. Nevertheless, a number of well-liked films did make the short list.
The popular Kung Fu Panda 2 will meet the same fate as Kung Fu Panda did three years ago. It won’t win. Neither will the Shrek spin-off, Puss In Boots. The French feature, A Cat In Paris, is a curious selection considering it’s never been issued in a North American cinema for a proper commercial run. And the Spanish offering, Chico And Rita, despite garnering a 94% fresh rating from critics on Rotten Tomatoes, is so unknown compared to most of the other nominees here it doesn’t stand a snowball’s chance in hell.
That leaves Rango which benefits not only from strong reviews (an 88% fresh rating) and not being a sequel or a spin-off but also plenty of familiarity (it made over 120 million in theatres last spring). Unless there’s a late surge of votes for Kung Fu Panda 2 (which I can’t see happening), the cowardly chameleon will have his day.
Rango for Best Animated Feature.
Dennis Earl
Hamilton, Ontario, Canada
Monday, January 30, 2012
4:42 p.m.
- Academy Awards
- Commentary
- Movies
on January 30, 2012 at 4:42 pm Leave a Comment